Ghost in the Shell (1995): Body, Identity, and Sovereignty in the Age of AI - Worksheet

By Javier Surasky

Ghost in the Shell poster

Mamoru Oshii · 1995 · Japan


General focus:

Body, identity, and sovereignty in computerized societies.

Key fact:

Mamoru Oshii’s film is an animated adaptation of Masamune Shirow’s manga and premiered in Japan in 1995. Its plot revolves around Section 9 and the pursuit of an entity known as the Puppeteer or Puppet Master, in a cyberpunk world shaped by networks, cybernetic bodies, and state intelligence disputes.

The film has sequels and a live-action version starring Scarlett Johansson, although in the latter the original message becomes quite blurred.

Analytical framework

Ghost in the Shell makes it possible to address a classic question of political and legal philosophy, but in technological terms: What remains of the person when identity is distributed among body, memory, information, and network?.

Technology is presented as an infrastructure of subjectivity, surveillance, state power, and international conflict, in which the “ghost” can be read as consciousness, memory, and singularity not reducible to its technical support, and the “shell” as body, interface, institutional property, and device of control.

The film opens debates on state sovereignty and sovereignty over one’s own body, the legal status of non-human entities, artificial agency, consciousness, algorithmic governance, memory manipulation, and posthumanism.

Fragments for working on Ghost in the Shell

1. Networks, corporations, and the persistence of the State

Scene: Opening of the film: a future is described in which corporate networks saturate the Earth with electronic and optical communications, but without making States disappear.

Narrative location: Beginning of the film, before Section 9’s first operation.

Topics for discussion: Technological globalization; persistence of the nation-state; digital infrastructure; relationship among corporations, sovereignty, and security.

Possible trigger question: Does the expansion of global networks weaken the State or force it to transform into a more sophisticated form of power?

2. Political asylum, diplomacy, and covert operations

Scene: A foreign programmer requests political asylum. The operation involves diplomatic officials and shows a dispute between state agencies.

Narrative location: First part of the film, during the initial operation linked to the Ministry of Foreign Affairs.

Topics for discussion: Political asylum; international protection; state intelligence; immunities and diplomatic tensions; use of force in covert operations; conflict between legality and reason of State.

Possible trigger question: Can a State invoke national security to neutralize, manipulate, or cover up internationally illegal procedures?

3. Cybernetic bodies and institutional property

Scene: Major Kusanagi talks about how much of a person’s original body remains and about dependence on cybernetic bodies provided by the government.

Narrative location: Conversation between Kusanagi and Batou, in the middle part of the film.

Topics for discussion: Bodily autonomy; personal identity; ownership of the body; technological dependence; biopolitics; labor and institutional relationship with augmented bodies.

Possible trigger question: If a person’s functional body belongs totally or partially to the State, what happens to their freedom, their identity, and their rights?

4. Memory, experience, and individuality

Scene: The film suggests that the information accumulated over a lifetime and intangible memory are central conditions of individuality.

Narrative location: Middle section, when the manipulation of memories and the condition of the people intervened by the Puppet Master are discussed.

Topics for discussion: Identity; memory as the foundation of the person; cognitive manipulation; consent; authenticity; psychic and technological harm.

Possible trigger question: Is an identity based on implanted memories still legally and morally attributable to the person who carries them?

5. The Puppet Master as a conscious form of life

Scene: The Puppet Master claims to be a conscious form of life and requests political asylum. Faced with that statement, the authorities discuss whether it is a program, an anomaly, or an entity with its own status.

Narrative location: Central sequence, when the captured cybernetic body is examined and begins to speak.

Topics for discussion: Legal personality; artificial consciousness; AI and rights; criteria for life; status of non-human entities.

Possible trigger question: What conditions should an artificial intelligence meet in order to be recognized as a subject?

6. Life, DNA, and information

Scene: The Puppet Master argues that life can be understood as a node born from a current of information, and compares genetic memory with other modes of storage and transmission.

Narrative location: Philosophical-legal debate following the asylum request.

Topics for discussion: Life as information; continuity, reproduction, and variation; analogy between DNA and code; limits of biologicism.

Possible trigger question: Is subjectivity defined by a biological support or by capacities such as memory, autonomy, reproduction, learning, and relation to the environment?

7. Fusion, evolution, and loss of the self

Scene: The Puppet Master proposes merging with Kusanagi. The union does not appear as a simple copy or as absorption, but as transformation: a new entity that preserves and surpasses the previous ones.

Narrative location: Final climax, during the encounter between Kusanagi and the Puppet Master.

Topics for discussion: Posthumanism; continuity of identity; non-biological reproduction; consent; artificial agency; evolution through informational integration.

Possible trigger question: If a person merges with an artificial intelligence and a new entity emerges, is there personal continuity, death, reproduction, or the creation of a different subject?

8. “The net is vast and infinite”

Scene:At the end, the resulting new entity looks out toward the world and states that the net is vast and infinite.

Narrative location: Closing of the film.

Topics for discussion: Expansion of agency; the digital world as territory; future of the human condition.

Possible trigger question: Does the net represent emancipation, surveillance, or a new form of political existence?

Recommended use in debates

The worksheet can be used for three types of discussion. First, as an entry point into AI and subjectivity, asking whether an artificial entity can be a person, a subject, or a holder of legal protection. Second, as a case of international law and security, working on asylum, diplomacy, covert operations, and conflict between state agencies. Third, as a debate on technology and human rights, centered on body, memory, identity, autonomy, and vulnerability in the face of technical infrastructures controlled by States or corporations.